Images are often not paramount; they exist to advance the argument. It also created newsreels that were seen by their national governments as legitimate counter-propaganda to the psychological warfare of Nazi Germany orchestrated by Joseph Goebbels. Congress with archival propaganda extolling the virtues of smoking. For instance, much of the battle footage from the early 20th century was staged; the cameramen would usually arrive on site after a major battle and re-enact scenes to film them. Modern lightweight digital video cameras and computer-based editing have greatly aided documentary makers, as has the dramatic drop in equipment prices. Their disruption of the coherence of time and space—a coherence favored by the fiction films of the day—can also be seen as an element of the modernist counter-model of cinematic narrative.
For instance, much of the battle footage from the early 20th century was staged; the cameramen would usually arrive on site after a major battle and re-enact scenes to film them. Political weapons[ edit ] In the s and s, documentary film was often conceived as a political weapon against neocolonialism and capitalism in general, especially in Latin America , but also in a changing Quebec society. Newsreel tradition[ edit ] The newsreel tradition is important in documentary film; newsreels were also sometimes staged but were usually re-enactments of events that had already happened, not attempts to steer events as they were in the process of happening. The editors of the movement—such as Werner Nold , Charlotte Zwerin, Muffie Myers, Susan Froemke , and Ellen Hovde—are often overlooked, but their input to the films was so vital that they were often given co-director credits. Shooting on location, with smaller crews, would also happen in the French New Wave , the filmmakers taking advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfolded. Examples are military, cultural arts, transport, sports, etc.. DVD documentary[ edit ] A DVD documentary is a documentary film of indeterminate length that has been produced with the sole intent of releasing it for direct sale to the public on DVD s , as different from a documentary being made and released first on television or on a cinema screen a. Their work involved poets such as W. Images are often not paramount; they exist to advance the argument. The directors of the movement take different viewpoints on their degree of involvement with their subjects. They may use a rich and sonorous male voice. These films were particularly influenced by modern art: Some of Flaherty's staging, such as building a roofless igloo for interior shots, was done to accommodate the filming technology of the time. Although documentaries are financially more viable with the increasing popularity of the genre and the advent of the DVD , funding for documentary film production remains elusive. Historical documentaries in this mode deliver an unproblematic and 'objective' account and interpretation of past events. One of the most celebrated and controversial propaganda films is Leni Riefenstahl 's film Triumph of the Will , which chronicled the Nazi Party Congress and was commissioned by Adolf Hitler. In this shot from Man with a Movie Camera , Mikhail Kaufman acts as a cameraman risking his life in search of the best shot The continental, or realist, tradition focused on humans within human-made environments, and included the so-called "city symphony" films such as Walter Ruttmann 's Berlin, Symphony of a City of which Grierson noted in an article  that Berlin represented what a documentary should not be , Alberto Cavalcanti 's Rien que les heures , and Dziga Vertov 's Man with a Movie Camera. The city symphony[ edit ] City Symphony Films were avant-garde films made during the s to s. Docufiction[ edit ] Docufiction is a hybrid genre from two basic ones, fiction film and documentary , practiced since the first documentary films were made. It is also commonly used for more 'specialist' documentaries, which might not have general interest to a wider TV audience. Flaherty 's Nanook of the North in , documentary film embraced romanticism ; Flaherty filmed a number of heavily staged romantic films during this time period, often showing how his subjects would have lived years earlier and not how they lived right then. The making-of documentary shows how a movie or a computer game was produced. Black, White, Grey , in which he films one of his own kinetic sculptures, emphasizing not the sculpture itself but the play of light around it; Oskar Fischinger 's abstract animated films; Francis Thompson's N. Constance Bennett and her husband Henri de la Falaise produced two feature-length documentaries, Legong: Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass and Chang , both directed by Merian Cooper and Ernest Schoedsack. There are no sit-down interviews, and the shooting ratio the amount of film shot to the finished product is very high, often reaching 80 to one. L Rees,  According to Scott Macdonald , city symphony film can be located as an intersection between documentary and avant-garde film:
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